Speaker Wire – Speaker cable has two parallel multi-strand conductors. It is designed to carry large amounts of energy. It should be used between the power section of your equipment and the speakers only. The size or gauge of the wire also has an effect on the performance of your equipment. The amount of power used and the length of the cable determines the gauge of wire that you need. Generally speaking the larger the wire the better. Note: Smaller AWG number = larger wire diameter.
IEC carries a wide variety of Speaker Wires.
Maximum Cable Length Based on Wire Gauge and Speaker Ohms at .5 dB Loss
|24 AWG||22 AWG||20 AWG||18 AWG||16 AWG||14 AWG||12 AWG|
|4 Ohm||10 feet||15 feet||25 feet||40 feet||60 feet||90 feet||140 feet|
|8 Ohm||20 feet||35 feet||50 feet||85 feet||115 feet||185 feet||285 feet|
|16 Ohm||30 feet||35 feet||40 feet||50 feet||100 feet||200 feet||300 feet|
Microphone Cable – There are two kinds of wire used for microphones. Professional microphones use balanced (3 conductor) cables and low cost microphones use cable that is the same as instrument cable (2 conductor). The advantage of the 3 conductor-cable is it has 2 wires that carry the signal and a shield that acts only to carry away the airborne interference. This design allows cable runs of over 1000 feet without noticeable signal loss. The 2-conductor wire should not exceed 20 feet or signal loss and increased noise may occur. If you have a balanced microphone and need to connect it to a 2-wire system (1/4″ jack) you should use a transformer at the 1/4″ end to convert the signal from balanced to unbalanced. Without the transformer, although it will “work”, you have the same effect as a 2-wire system but with some frequency loss. Also longer cable lengths should be avoided. Click here to see our Microphone cable.
Instrument Cable – Instrument cable is shielded which means that it has an inner wire that is completely surrounded by another wire. The outside wire is referred to as the shield. The shield serves the purpose of directing airborne interference, like radio waves or fluorescent light noise, away from the cable. The shield protects the inner wire from these waves. Use this cable in low level applications to connect between components such as guitar to amp, effects to amp, or any areas where “power” is not involved. Do not use Instrument cable for speakers, as amplifier damage or poor performance can occur.
A second reason for the bad reputation of balanced interconnects comes from those who think connecting unbalanced equipment into “superior” balanced equipment should improve things. Sorry. Balanced interconnect is not compatible with unbalanced. The small physical nature and short cable runs of completely unbalanced systems (home audio) also contain these ground loop noise currents. However, the currents in unbalanced systems never get large enough to affect the audio to the point where it is a nuisance. Mixing balanced and unbalanced equipment, however, is an entirely different story, since balanced and unbalanced interconnect are truly not compatible.
The potential or voltage that pushes these noise currents through the circuit is developed between the independent grounds of the two or more units in the system. The impedance of this circuit is low, and even though the voltage is low, the current is high, thanks to Mr. Ohm, without whose help we wouldn’t have these problems. It would take a very high-resolution ohmmeter to measure the impedance of the steel chassis or the rack rails. We’re talking thousandths of an ohm. So trying to measure this stuff won’t necessarily help you. We just thought we’d warn you.